How does the ontological friction between the Universal Prepared Environment and the unique, fragmented socio-linguistic schema of the expatriate child necessitate a paradigm shift in the sensorial curriculum to prevent the reification of cognitive disjuncture, and what specific methodological heuristics can quantify the stabilization of the child’s inner equilibrium in this complex, multi-modal context?
The inherent tension within **Montessori for expatriate families** stems from the clash between the Method’s